Adobe premiere cs6 blending modes

A layer with pure black or white becomes markedly darker or lighter, but does not become pure black or white. Multiplies or screens the input color channel value, depending on the original source color.

The result is similar to shining a harsh spotlight on the layer. This mode is useful for creating the appearance of shadows on a layer. Burns or dodges the colors by increasing or decreasing the contrast, depending on the underlying color. Linear Light. Burns or dodges the colors by decreasing or increasing the brightness, depending on the underlying color.

Replaces the colors, depending on the underlying color. Enhances the contrast of the underlying layer that is visible beneath a mask on the source layer. The mask size determines the contrasted area; the inverted source layer determines the center of the contrasted area. For each color channel, subtracts the darker of the input values from the lighter. Painting with white inverts the backdrop color; painting with black produces no change. If you have two layers with an identical visual element that you want to align, place one layer on top of the other and set the blend mode of the top layer to Difference.

Then, you can move one layer or the other until the pixels of the visual element that you want to line up are all black—meaning that the differences between the pixels are zero and therefore the elements are stacked exactly on top of one another. Creates a result similar to but lower in contrast than the Difference mode. If the source color is white, the result color is the complement of the underlying color. If the source color is black, the result color is the underlying color.

Subtracts the source file from the underlying color. Result color values can be less than 0 in bpc projects. Divides underlying color by source color. If the source color is white, the result color is the underlying color. Result color values can be greater than 1. Result color has luminosity and saturation of the underlying color, and the hue of the source color.

Result color has luminosity and hue of the underlying color, and the saturation of the source color. Result color has luminosity of the underlying color, and hue and saturation of the source color.

This blend mode preserves the gray levels in the underlying color. This blend mode is useful for coloring grayscale images and for tinting color images. Result color has hue and saturation of the underlying color, and luminosity of the source color.

This mode is the opposite of the Color mode. Legal Notices Online Privacy Policy. Buy now. User Guide Cancel. Using blending modes. In a Timeline, place a clip on a track higher than a track where another clip is located. Premiere Pro superimposes, or blends, the clip in the higher track over the clip in the lower track. Select the clip in the higher track, and select the Effect Controls panel to make it active.

The base color is not replaced, but mixed with the blend color to reflect the lightness or darkness of the original color. Darkens or lightens the colors, depending on the blend color. The effect is similar to shining a diffused spotlight on the image.

Painting with pure black or white produces a distinctly darker or lighter area, but does not result in pure black or white. Multiplies or screens the colors, depending on the blend color. The effect is similar to shining a harsh spotlight on the image. This is useful for adding highlights to an image. This is useful for adding shadows to an image. Painting with pure black or white results in pure black or white. Burns or dodges the colors by increasing or decreasing the contrast, depending on the blend color.

Linear Light. Burns or dodges the colors by decreasing or increasing the brightness, depending on the blend color. Replaces the colors, depending on the blend color.

This is useful for adding special effects to an image. Adds the red, green and blue channel values of the blend color to the RGB values of the base color. If the resulting sum for a channel is or greater, it receives a value of ; if less than , a value of 0. Therefore, all blended pixels have red, green, and blue channel values of either 0 or This changes all pixels to primary additive colors red, green, or blue , white, or black.

For CMYK images, Hard Mix changes all pixels to the primary subtractive colors cyan, yellow, or magenta , white, or black. The maximum color value is Looks at the color information in each channel and subtracts either the blend color from the base color or the base color from the blend color, depending on which has the greater brightness value.

Blending with white inverts the base color values; blending with black produces no change. Creates an effect similar to but lower in contrast than the Difference mode. Blending with white inverts the base color values.

Looks at the color information in each channel and subtracts the blend color from the base color. In 8- and bit images, any resulting negative values are clipped to zero. Creates a result color with the luminance and saturation of the base color and the hue of the blend color. Creates a result color with the luminance and hue of the base color and the saturation of the blend color. Painting with this mode in an area with no 0 saturation gray causes no change. Creates a result color with the luminance of the base color and the hue and saturation of the blend color.

This preserves the gray levels in the image and is useful for coloring monochrome images and for tinting color images. The effect is similar to shining a spotlight on the object.

Subtracts either the blend color from the base color or the base color from the blend color, depending on which has the greater brightness value. The effect is similar to a color negative. You cannot change the background clip to Erase and apply it because the object would appear invisible. The following examples illustrate how different blend modes affect the appearance of an image.

The resulting effect of a blend mode might be considerably different, depending on the color of the underlying image and the type of blend mode you apply.

Original image. Hard Light. You cannot apply different blend modes to different graphic symbols because multiple graphic symbols are merged as a single shape when you publish the SWF file.

The blend mode is applied to the selected movie clip instance. Experiment with both the color and transparency settings of the movie clip or frames and the different blend modes to achieve the desired effect. Legal Notices Online Privacy Policy. User Guide Cancel. About blend modes. A blending mode contains the following elements:.